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Dj QBert
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- Autore: Wilson Tai
Note aggiuntive: Sito ufficiale di Dj QBert
Today's Grandmaster Flash is a pioneer and living legend in the DJ
world by the name of DJ QBert. He first attracted attention in 1985 when his skills
of sound manipulation via records on the turntables were beyond comprehension.
He wasn't the first to scratch a record but years
of creating unique systems of scratching, practicing, and dedicating himself to
the art of using the turntable as a musical instrument had created a specific
sound - turntablism; was born. DJ QBert is considered the most skilled
DJ on the planet and it has a lot to do with his skills, but more importantly,
it has a lot to do with his use of technology in promoting himself and his sound
to the mainstream.
To this day, turntablism continues to advance and diversify. Why? History established
that QBert, a founding member of the legendary Invisibl Skratch Piklz (1995-2000),
created a new era in the DJ/turntablist community, and helped raise the art
of hip-hop to its new form, turntablism. At the origin and influence of the
scratching sound that is the omnipresent foundation of hip-hop music. To follow
the history of DJ QBert is to follow the creation of the musical genre and art.
He is a very well documented DJ.
Fellow turntablists, Mix Master Mike and DJ Apollo, were founders of the first
turntable scratch band called "Shadow of the Prophet". Mix Master
Mike was a strong influence and inspiration on QBert, and together joined forces
to create Invisibl Skratch Piklz. In the '90s, QBert dominated the DJ scene
by claiming the coveted Disco Mixing Club (DMC) in 1991, 1992, 1993, and 1994.
Qbert's 1994 mixtape, "Demolition Pumpkin Squeeze Musik" inspired
the experimental skratch/mixtape revolution and is considered by many hip-hop
resources to be the greatest mix tape of all time. In 1998, because of his contributions
to the DMC and to the industry, he was inducted into the DMC DJ Hall of Fame
along with Mix Master Mike. It's ironic to see both DJ's make it
because both have had a strong sense of appealing to the mainstream. Mix Master
Mike joined the "Beastie Boys" in 1998, influenced a new sound in
the traditional Beastie Boys sound and brought skratching to a
popular mainstream. Other forms of media technology have helped bring turntablism
QBert appeared in two international films showcasing his skills in the
turntablist genre: Hang The DJ, shown at the Cannes Film Festival in France,
and Modulations, shown at the Sundance Festival in Colorado. Hang The DJ was
picked up by Miramax Films and played in theatres in Europe, Canada, and the
United States. Modulations is a film documenting the history and culture of
electronic music, highlighting QBert and his skills on the turntable. The same
year Mix Master Mike joined the Beastie Boys, QBert released his solo debut
album, WaveTwisters. The album was a concept by QBert of creating a pure improvisational
scratch soundtrack. It presents a story about an entire civilization residing
in inner space, and the only form of communication is through the sounds of
skratching. A full-length animated film that was the world's first hip-hop
animated concept-album followed the soundtrack. It was presented at the Sundance
Film Festival in 2001.
Records, albums, videos, have been produced and released to help promote turntablism
to the mainstream, but is that enough to establish a new musical genre? Commercialism
is behind the success of any idea and especially any musical genre. As stated,
the phonograph emerged into the mainstream thanks to RCA. Likewise, turntablism
emerged into the mainstream thanks to the commercial backing of Vestax, the
world leader in DJ products. QBert's DJ band, Invisibl Skratch Piklz,
became the first DJ band to be sponsored by a company. With the help of the
Invisibl Skratch Piklz, the then small company, Vestax, produced professional
DJ products such as mixers and turntables, and became the largest DJ product
company today. Invisibl Skratch Piklz and Vestax also released a video called
Turntable Mechanics Workshop in which scratching was publicly defined and specific
techniques were given names so that turntablists had a shared common scratch
language.” The scratch language is very important in securing turntablism
a place in mainstream. Scratchcon 2000 was a conference event
that occurred on July 1st, 2000, to "continue the development of skratch
music literacy.
Today, the art form and music genre of turntablism continues to grow through
DJ's and mainstream music alike. Perhaps one day, turntablism will have
the same appeal as hip-hop in the mainstream and spawn other genres of music.
As for the technology of turntablism, an interesting fact that indicates the
ongoing popularity of the analog phonograph is the fact that in Japan, the turntable
outsells the electric guitar. To think it all began with the phonograph in 1877
is quite mind-boggling. The significance of QBert in my life is that he is a
local talent (Daly City, California) that established his own place in the world.
His mission was to make the turntable a legitimate musical instrument and make
scratching a recognized art form. In the end, like Andy Warhol once said, everyone
will have his or her 15 minutes of fame. If the fame can benefit
a cause, then all the better. QBert is a pioneer in music creativity and inspires
DJ's worldwide to crossover turntablism into all musical genres. Every
DJ, whether a Hip-Hop, Jungle, Techno, or House DJ, owes DJ QBert for making
DJ stand for musician.
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